J. Sybylla Smith, In Conversation with Morgan Ashcom

Episode #62, Summary

Morgan Ashcom is a master collaborator who uses the material object of a photobook to begin a conversation on complicity, agency and hope. 

Episode Notes 

Open enacts metaphor to make visible the layers of oppression experienced by Palestinian apartheid. Exposed documentary images and HTML-coded emails are bookended with Arabic calligraphy and poetry. Delivered in a sealed cardboard film box, this soft-cover book utilizes photography as a tool to activate our imagination, reveal expansive truths and offer a revision of what hope and resilience look like. 

In this conversation, Morgan discusses, among other things:

  • The poetic capacity of an image

  • What makes a successful photo

  • Pivoting

  • Enacting metaphor

  • Chemistry & materiality

  • Experimenting & refining

  • Activating the medium

  • Shifting failure

  • Pointing towards possibility

  • Collaborative sequencing

  • Mythmaking

  • Challenging pretend knowledge

  • Sharing agency

Referenced in the episode

What the Living Carry by Morgan Ashcom

Leviathan by Morgan Ashcom

Visible Records

Erika Hirugami, CuratorLove

Majid Alyousef

‘Salvaged Images of Palestinian Resistance’ — British Journal of Photography 

Human Supporters Association (HSA) 

‘Passport’ by Mahmoud Darwish

Civil Imagination: A Political Ontology of Photography by Ariella Azoulay

The Civil Contract of Photography by Ariella Azoulay 

Emergent Strategy by Adrienne Maree Brown

Decolonizethisplace.org  

WarToys.org

SketchUp

Society for Photographic Education

Grenade in a Jar books


Published by Gnomic Book

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J. Sybylla Smith, In Conversation with Anastasia Samoylova

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J. Sybylla Smith, In Conversation with Brea Souders